21 October 2016Hi the MLE,Almost the weekend right? Well, you’re an hour ahead, so maybe it is the weekend already for you.I’m sure you admire Astier de Villatte as much as I do. Whenever I am in Liberty’s here in London, I go and see their beautiful white tableware. The ceramic is so thin, you feel scared picking it up. This is what makes their pieces so different - but it is also their uneven forms, irregular surfaces, and their milky glaze that covers an unusual black terracotta clay. Something else that sets it apart is that piece is made by hand in Paris. (And it is actually very strong! Yes, dishwasher and microwave safe).I understand that Astier de Villatte is completely unaffordable to most (including myself), this is true. However, this brand is admirable not only for its beautiful design, but because it is made in small batches to be passed on to future generations, friends, or be sold, not simply put into the bin when you’re done with it.Suzan
22 April 2016
This project brings back memories of our happy days at art school. Not at all because the project seems inexperienced, but rather because it is all about concepting rather than just the final product, and that is nice to see.
Seven door designs commemorates the 70th anniversary of Abe Kogyo, a Japanese manufacturer of wooden front and interior doors, partitions, fixtures and custom-made furniture.
From top to bottom:
Much like a window blind, this door can create small spaces to let light in, to let a breeze through, and to create a greater sense of connectivity between rooms.
A door fitted with internal 2.5mm magnet sheet, allowing the user to attach various accessories to it such as trays, dust bins, flower pots, vases, and other containers. This design feature has given a new function to the door as a storage device, rather than just a thing to go in and out of.
A door that applies kumiko, a technique of assembling wooden interior lattices without nails, most often used in creating door fixtures for traditional Japanese tatami rooms.
By covering this door with shelves and picture frames that one would usually fit to a wall, this unit dims the very concept of a door, allowing it to blend into the wall to an unprecedented extent.
A door that allows the user to enter and exit through corners of a room, transforming the way we think about interior layout. As this door opens particularly wide, an additional practical result of this design
Abe Kogyo also manufactures various interior fittings for nurseries and pre-schools, and this gave rise to the idea of having adults and children walk through doors that match their respective sizes.
A door and lighting fixture in one, employing the wiring techniques used in electronic locks.
More info can be found on the Nendo’s site, where I found this project.
Have a nice weekend!
8 January 2016
MLE happy 2016!
I always like when a fresh new year begins after some time off. For my first note of the year, I’d like to tell you about a special little shop I went to when I was in Wales: Jane Beck Welsh Blankets.
One would be surprised to learn that this tiny shop (that we had to drive a few hours into the middle of nowhere and could barely find), actually holds the largest collection of Welsh blankets, new and vintage, anywhere in the world. They are beautiful! So of course they have been featured in all the interior magazines, in various television programmes, theatre productions, and even a Vogue fashion shoot. Welsh blankets are a passion for Jane, and you can tell. Her personal collection has been loaned to museums and is regularly accessed by students and artists.
Wales was once covered with small independent mills and weavers who supplied the local community. Jane is one of the few people who can accurately identify the date and mill of a particular blanket pattern design/weaving technique. With the commercialisation of the wool industry at the end of the C19th, almost all these mills have been lost except a handful.
Her Heritage Collection of blankets reproduces some of her favourite vintage patterns, dating from the C18th. They are made in Wales, as they have always been: at a small independent mill, using age old looms and traditional methods.
In my pictures above, you can see Daniel in awe at the gorgeous blankets everywhere. You can also see some of the incredible Welsh blankets that were on sale. Of course we couldn’t leave without one!
Have a nice weekend my friend,
18 September 2014
Hey hey the MLE,
Reporting back from designjunction last night, a London event showcasing furniture, lighting and product design. It was quite fun, as it's a bit trade show, but also there are pop-up shops selling things, large installations, seminars, screening, and places to eat and drink etc. The venue itself was perfect, a derelict 1960s Sorting Office in central London.
In the first photo shows Daniel sitting in his favourite piece, a very comfortable chair, but I lost the card I collected, so don't know the designer. Second is the Nick Fraser coat rack. Third is the Hybrid No2 chair by Merve Kahraman (when I showed my interior architect friends in the pub after they did not approve however). What they did approve of is the fourth product, the classic Anglepoise 1227 brass wall mounted lamp, so that is good. And finally, both Daniel and I quite liked these Richard Brendon china sets. Well I thought they were entire dinner sets judging by the price, but they are actually unique individual cups and saucers. But beautiful.
30 April 2013
Hey the MLE,
Came across this through the Sang Bleu site today, thought I'd post, since we are both moving house relatively shortly and we may have interiors on our minds… Perhaps you might get inspiration to take a sledge hammer to your new home?
It is impressive that Rick Owens has managed to stay together with is his wife for over 20 years. She is an interesting French woman who is in her early 70s. They moved from California to Paris in 2003. Rick has yet to learn any French himself.
The Owens's apartment dates from the early 19th century at the front and the 50s from the back. For about ten years, it has been their home and their workspace, though the showroom has now moved elsewhere.
I love it because worn interiors just make a space comfortable. Also, it seems practical and cost-effective - I mean really how hard or expensive could it be to strip a place down to its bones?! Could even look good to do this to a modern building, so need to worry if there are no vintage features. I also love the Rick Owens colours, or lack thereof, as you know, I'm not a fan of colour either. Who needs colour. Boooo colour.